Ever wanted to hear the Amen break over “Magic Man”? What about a violent death metal take on “Birds”? How about a thumping Baltimore club remix of “Never Enough”? Turnstile’s new remix-cover album Never Enough: Versions covers so much ground, and is just so fun, that we almost broke Dazed music tradition and made this one a top ten. 

So, first off, let’s start with what this isn’t: with 22 total tracks, multiple versions of the same song, and only one new verse, this isn’t an album you need to listen to front-to-back. It’s not going to engage your cerebral cortex much more than the original Never Enough already did, either. Given the sheer range on offer here, in all likelihood, any one listener isn’t going to fall in love with every single track. What this is, however, is one of the most impressive, star-studded and entertaining remix albums in recent memory.

Last year, in the run-up to the release of the original Never Enough, Turnstile were caught up in endless discourse about how they’d left their hardcore roots behind in search of mainstream success. Yet, when they did win two Grammys last year, they remained neatly confined to the rock and metal categories. In some senses, then, they were caught between worlds – too hardcore for the mainstream, and too mainstream for the hardcore. Literally, never enough for anyone.

This latest release, however, tells the opposite story: an album that’s got something for everyone. Sure, there are features from pop stars like Elton John and Slayyyter, but there are also some very telling appearances from their Maryland legends: death metal titans Dying Fetus, Baltimore club pioneer Rod Lee, and Angel Du$t – the latter being closely connected to Turnstile’s hometown hardcore roots. Getting mainstream names over hardcore beats, and hardcore names rubbing shoulders with pop icons, this is an album only Turnstile could have made. One could even say that they’ve finally done enough.

Below, in an album full of fantastic remixes, we rank our five favourites

5. DYING FETUS – “BIRDS”

For all the detractors saying Turnstile had gone too mainstream, look no further: Dying Fetus’ death metal take on “Birds” is as gritty as they come. Between explosive blast beats, lead vocalist John Gallagher’s guttural growls, and a feral pace that sees all of this wrapped up just shy of the two-minute mark, Dying Fetus spared no prisoners here.

4. FOUR TET – “LOOK OUT FOR ME”

There are a handful of electronic remixes on today’s release – there’s Floating Points’ seven-minute four-on-the-floor odyssey, Panda Bear’s sepia-washed drum and bass refix, and Kettama’s tech-house explosion – but, for us, Four Tet’s gently swelling dance cut takes the cake. After three minutes of build-up, shuffling kicks and trance-like synths, the moment Yates’ voice finally breaks through with the line “Now my heart is hanging by a thread!” is just so impactful – as if he’s been shrunk down, trapped inside a computer and is now screaming to get out. It’s organic and digital at the same time.

3. OKLOU – “LIGHT DESIGN”

Oklou is the master of making songs that sound like the water level in an old-school video game. Turnstile’s original “Light Design” was already rather pared-back and pensive by hardcore standards, but there is an undeniable fluidity to Oklou’s use of muted synths and transient melodies on this remix. Not many people can make a punk rock anthem sound so ethereal.

2. SLAYYYTER – “BIRDS”

Slayyyter really is on top of the world right now. In 2026 alone, she’s already dropped album-of-the-year contender WOR$T GIRL IN AMERICA, begun teasing a second album with hit single “Brand New Chanel$” and now this standout remix of “Birds”. Here, the Missouri singer delivers a punky take on indie sleaze, as her visceral, apocalyptic vocals collapse into PC Music-slash-Brat style distorted bass throbs. It’s a natural mid-ground between the original and Slayyyter’s hyperpop-adjacent soundworld, and is one of the strongest standalone cuts on today’s release. 

1. ROD LEE – “NEVER ENOUGH”

If you haven’t heard this song yet, stop reading. Now. This track is 100x better when you don’t know what to expect. 

Now that you’ve listened to it: am I right? In an album that is basically full of glorified covers (albeit very good ones), Baltimore club pioneer Rod Lee’s total overhaul of Turnstile’s title track arrives out of nowhere in the penultimate track. It’s the only remix to provide an original verse, it’s thumping Baltimore club beat is built for the shubz, and, in its final call-and-response section, playfully recontextualises Brendan Yates’ anthemic “It’s never enough” refrain in a series of complaints against Rod Lee’s girlfriend. “If I share out all my weed, what she’ll say? It’s never enough!” Absolute gold.